I made a complete scale model  of this installation prior to fabrication. You can see pictures of it here. The model is an improtant part of my creative process: I use models to test and prove my ideas. Computer modeling can't replace the actual thing. The fabric pieces of that model (I call them “wings”) were scaled up ("lofted" to use a sailmaker's term) by the design and fabrication team at Transformit. I think of them as a bronze sculptor thinks of her foundry: the team that takes the artist's design and scales it up to its full intended size. Transformit is my “fabric foundry”.

Because our installation had to take place in three days over winter vacation, and there were thirty-six rig points, I was a bit concerned that we might have to “edit” the installation's mounting points, or the wings themselves, using our limited installation time. But my fabriucation crew came through with flying colors, and the installation was completed without a hitch. 

I thank the Maine Arts Commission and the selection committee, who awarded me the project, and the staff of the school who rode along with me through many changes as the project developed, and, especially, Brian, whose job it will be to take care of  the installation, and who catered to our needs over a holiday weekend in late December.

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